etzee

Photographing film posters

Flat, square on, in daylight — and then the back, which is where the history is.

The Metzee team14 Oct 20261 min read

Large paper is hard to photograph well and easy to photograph in a way that hides everything a buyer needs.

The shot that sells

The whole sheet, flat, square on, in even daylight, with nothing cropped. If it is too large for a table, use a floor and shoot from above standing on a chair.

The shot that prevents the dispute

The reverse. Tape, backing, repairs and old mounting all live there and none of it faces the front.

The list

  • Whole sheet, flat and square on
  • The reverse, whole
  • Fold intersections, close — this is where separation starts
  • Corners and edges
  • Any tear, pinhole, stain or loss, deliberately
  • A tape measure along one edge, because formats vary and the measurement is the fact
  • Printed text, close enough to read

Light

Even, indirect daylight from two sides if you can. A single overhead bulb gives a bright patch in the middle of a large sheet and a falloff at the corners, which reads as fading.

For surface condition — creases, abrasion, ripples — drop the light low and across.

Squareness

Directly above, parallel. A poster shot at an angle looks trapezoidal and buyers cannot judge trimming or proportion from it.

What goes wrong

Shooting it on a wall with a flash, cropping the edges, and photographing only the front. And flattening a folded sheet to photograph it, which is restoration. Common mistakes.

Questions people ask

How do I photograph something larger than my table?

On a clean floor, from above, in daylight. Two overlapping frames if you must, plus one whole shot.

Should I show it under glass?

No. Glass reflects and hides the surface.

Is a measurement photograph necessary?

For anything valuable, yes. What a poster is worth.

More: selling cinema memorabilia, describing condition.

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